Originally appeared on Open Eye Gallery blog, 07.04.2015 When Canon launched its New Cosmos of Photography award to the Japanese public in 1991, it asked, “What can we do through…
Originally appeared on Open Eye Gallery blog, 16/02/2015 “People often say that I have a child’s eye. For example, I stare at ants gathering around sugar, or when I seek shelter…
Originally appeared on Open Eye Gallery blog 24/01/2015 Beneath the glaring advertisements and high rise complexes, Daido Moriyama wanders through the hot, crowded streets of Tokyo, attempting to capture a…
Originally appeared on Open Eye Gallery’s blog, 11.12.2014 Saunter through Robert Heinecken’s Lessons in Posing Subjects this December and you’re likely to find yourself, quite inadvertently, re-enacting some of the models’ poses.…
Imagine a city filled with overwhelming stillness, where lone figures wait ambiguously in deserted diners, streets are lifeless and not a word is exchanged. This is no dystopian thriller but…
Originally appeared on the Open Eye Gallery blog, 01.07.2014 With the announcement of this year’s Environmental Photographer of the Year (EPOTY) finalists comes a collection of images that force entrants and audiences…
Originally appeared on Open Eye Gallery blog, on 25.06.2014 Curated by Aaron Schuman, this year’s Krakow Photomonth Festival invites its audience into a seductive, hybrid version of reality, where imagination, memory and mythical creation cohabit…
Originally appeared on ACE Liverpool, 29.05.2014 Directed by Rachel Chavkin, Joseph Heller’s adaption of his own 1961 novel resurfaces upon the Playhouse stage, where the infamous paradox of Catch-22 dictates…
Originally appeared on ACE Magazine on 16/05/2014 Anya Reiss’ adaptation of Fank Wederkind’s 1891 play has the potential to liberate – that is, if you are so inclined to afford yourself…
Originally published on Open Eye Gallery blog, 19/05/2014 Europe’s oldest Chinatown tells a slightly different story to that of its vibrant counterparts around the world; those alive and bustling with…
